Columns

In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers the work of Hanif Abdurraqib and Marlin M. Jenkins.

Columns, Poetry Double Features

Poetry Double Features #6

By Summer Farah

Columns, Poetry Double Features

Poetry Double Features #5

By Summer Farah

In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Your Blue and the Quiet Lament by Lubna Safi and White Blight by Athena Farrokhzad.

Columns, Poetry Double Features

Poetry Double Features #4

By Summer Farah

In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Gumbo Ya Ya by Aurielle Marie and Birthright by Goerge Abraham.

Columns, Poetry Double Features

Poetry Double Features #3

By Summer Farah

In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Some Are Always Hungry by Jihyun Yun and Hijra by Hala Alyan.

Columns, Poetry Double Features

Poetry Double Features #2

By Summer Farah

In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Some Are Always Hungry by Jihyun Yun and Hijra by Hala Alyan.

Columns, Poetry Double Features

Poetry Double Features #1

By Summer Farah

Columns, If These Covers Could Talk, Interview

If These Covers Could Talk #7

By Benjamin Gucciardi

In If These Covers Could Talk, poets interview the visual artists whose works grace their book covers. The result is an engaging discussion of process, vision, and projects. This series is a celebration of collaboration—here, we champion the fruitful conversations taking place both on and behind the cover.

This month, poet Benjamin Gucciardi talked to artist and painter Dom Villeda about the cover of West Portal, winner of the 2020 Agha Shahid Ali Prize in Poetry (University of Utah Press, 2021).

Columns, Legacy Suite

Legacy Suite #8

By I.S. Jones

The Legacy Suite is a three-part interview series in which poets delve into the tumultuous journey of publishing a debut full-length collection: before publication, during, and after. For this interview, I.S. Jones spoke with Gabrielle Bates about her forthcoming collection, Judas Goat (Tin House, January 2023).