In If These Covers Could Talk, poets interview the visual artists whose works grace their book covers. The result is an engaging discussion of process, vision, and projects. This series is a celebration of collaboration—here, we champion the fruitful conversations taking place both on and behind the cover.
This month, poet Dimitri Reyes talked to artist Samuel Miranda about the cover of Papi Pichón (Get Fresh Books Publishing, 2023).
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers the work of Hanif Abdurraqib and Marlin M. Jenkins.
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers the work of Nicole Sealey & Aracelis Girmay.
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Your Blue and the Quiet Lament by Lubna Safi and White Blight by Athena Farrokhzad.
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Gumbo Ya Ya by Aurielle Marie and Birthright by Goerge Abraham.
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Some Are Always Hungry by Jihyun Yun and Hijra by Hala Alyan.
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Some Are Always Hungry by Jihyun Yun and Hijra by Hala Alyan.
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads.
In If These Covers Could Talk, poets interview the visual artists whose works grace their book covers. The result is an engaging discussion of process, vision, and projects. This series is a celebration of collaboration—here, we champion the fruitful conversations taking place both on and behind the cover.
This month, poet Benjamin Gucciardi talked to artist and painter Dom Villeda about the cover of West Portal, winner of the 2020 Agha Shahid Ali Prize in Poetry (University of Utah Press, 2021).