
Encounter at Musée Rodin
“the scenes / of the damned reaching like hands / into the sunlight, sirens sounding–“
“the scenes / of the damned reaching like hands / into the sunlight, sirens sounding–“
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Some Are Always Hungry by Jihyun Yun and Hijra by Hala Alyan.
This May, Associate Editor Benjamin Bartu curates poems by AAPI poets.
“I promise / to open you like a drawer / and be surprised each time”
We are so grateful to every poet who shares their work with us—please enjoy perusing the stunning work in our poetry archive.
By Hannah Seo
“In Korean we do not say / you get older we say / you eat age / get plush with years”
This April, Associate Editor Benjamin Bartu curates poems by SWANA poets.
By Summer Farah
In Poetry Double Features, poet, critic, and editor Summer Farah moves away from the capitalistic language of “comparative titles” and instead towards the indulgence possible in considering two poetry collections that complement each other. The books paired here are not necessarily similar, but Farah asks: what language, pleasure, or wonder might be uncovered when they are read together? Poetry Double Features is in praise of the beautiful and unruly process of reading, synthesizing, and parsing out connective threads. This month, Farah considers Some Are Always Hungry by Jihyun Yun and Hijra by Hala Alyan.